Dialogue Greatness

"The Outlaw Josie Wales"(1976) - Clint Eastwood is civil war gunman Josie Wales battling the Union Army criminals who murdered his family. He encounters a snake oil salesman who foolishly chooses to try to sell his "medicinal" to the stoic gunfighter. The carpetbagger rolls off an impossibly long a list of ailment cures and uses for his potion. The salesman finally finishes his list.  Josie ponders it for a second:

Josie: [spits a glob of tobacco juice on the man's white suit]  "...how's it for stains?"

Film Crew Slang

"Losing the light, people!"-Announced to the crew by the Assistant Director to emphatically stress that we have too much left on the shooting schedule and not enough daylight hours (or minutes).  The crew crazily kicks into gear and tries to beat the Sun to the finish line.

Pick of the Week

"The Princess & The Warrior" (2000)- Directed by Tom Tykwer
Tykwer of "Run Lola Run"(1998) fame spins a tale of two lonely souls who meet literally by "accident". Bodo, a former army medic turned petty thief is running from would be captors. In the process he causes an accident in which asylum nurse Sissi is hit by and trapped under a truck unable to breathe.
Bodo manages to save her life while also escaping his captors. Sissi begins to believe that Bodo is her soul mate. Bodo rejects her and an odd form of stalking begins.
"The Princess & The Warrior" is a more European paced film than the quick ticking "Run Lola Run". Americans have to learn a bit of patience and let the story unfold. Not to say that Tykwer's action sequences aren't still furious and hair raising. The chase leading up to the accident is cinema mastery.

Best Scene: Sissi is trapped under the truck. It's freaky and not for the squeamish.

Quotes

"Everywhere is within walking distance if you have the time."

Steven Wright---Comedian

Film Crew Slang

Pull Processing - When film is purposely developed for a shorter time than normal, usually to make up for intended overexposure.

Push Processing -  When film is purposely developed for a longer time than normal at the lab, usually to make up for intended underexposure.  Only entire film rolls can be pushed, not individual scenes. Pushing adds contrast and graininess.

Film Crew Slang

Setup- An individual placement of the camera (and lights etc) on the set. There are more or fewer setups based on what you are trying to accomplish. If you plan well, several different shots can be done from the same setup.

Pick of the Week

"They Live" (1988)- Famed horror director John Carpenter (Halloween, Escape From New York, The Thing) provides a different twist on alien invasion. Professional wrestler Rowdy Roddy Piper puts in an exceptionally great performance as a drifter who slowly discovers the alien plot to subjugate the human race. The manner in which the aliens overtly take over is disturbing and humorous. We all have experienced the feeling that we are being manipulated and deceived to further the plans of others. This film proves it. Besides, 2012 is an election year.

Best Scene: The five and a half minute long fist fight between Jon (Piper) and Frank (Keith David) over a pair of sunglasses. It is one of the most realistic of all time.

Film Crew Slang

"Walkaway"- A location where crew are able to leave the cameras, lights and other gear in place at the conclusion of the day (wrap) for the next shooting day. It is more productive and efficient than unloading and packing up each day. Not usually possible unless the location is secure and weather proof.

"Walkaway" 2- Another use of the term "walkaway" is when referring to a meal break without food being provided to the crew by the production. It is standard for production companies to feed the crew due to efficiency, tradition and union/guild contracts but walkaway does happen in certain situations.

Dialogue Greatness

“He was always a rather stupidly optimistic man. I mean, I’m afraid it came as a great shock to him when he died.”---Clue (1985)

Film Crew Slang

Process Shot- A shot that will be composited from 2 other shots. The background shot is referred to as the "plate".

Dialogue Greatness

"Monty Python's The Life of Brian" (1979)
Rebellion against the Roman Empire is being debated :

Reg: All right, but apart from the sanitation, medicine, education, wine, public order, irrigation, roads, the fresh water system and public health, what have the Romans ever done for us?
Attendee: Brought peace?
Reg: Oh, peace - shut up!
Reg: There is not one of us who would not gladly suffer death to rid this country of the Romans once and for all.
Dissenter: Uh, well, one.
Reg: Oh, yeah, yeah, there's one. But otherwise, we're solid.

Film Crew Slang

"This ain't Gone With the Wind": Hurry up! Let's get moving!

Pick of the Week

"All You Need is Cash" (1978) -Taking their cue from Beatles documentaries, co-directors Eric Idle and Gary Weis tell the tale of  Dirk, Barry, Stig & Nasty...The Rutles. Tracing the career of the "Pre-fab Four" from their beginnings in Liverpool to status as the greatest rock band ever "All You Need is Cash" combines the forces of some of the greatest counter-culture comedy minds of the 1970's. Monty Python's Eric Idle & Michael Palin teamed with Saturday Night Live's Gary Weis, Lorn Michaels, Dan Ackroyd, John Belushi, Gilda Radner , Bill Murray and Al Franken for a twisted journey through pop music. Look for appearances by Paul Simon, Bianca Jagger and Rolling Stone Ron Wood (as a Hell's Angel). Produced a full 6 years prior to the brilliant "This is Spinal Tap", you may consider this film to be the progenitor of feature length mockumentaries. Original songs like "Ouch", "Hold My Hand", "Cheese & Onions" & "Piggy in the Middle" are all send ups of popular Beatles tunes. Co-Director Gary Weis took over the film shorts on Saturday Night Live after Albert Brooks left the show in season 2. He has a distinguished career of real documentaries about comedians and music legends like Jimi Hendrix, George Harrison and Steve Martin to name a few. "All You Need is Cash" is a must see for Beatle's aficionados and fans of Spinal Tap. Below is a sample from the "I Am the Walrus" influenced Rutles song "Piggy in the Middle":

I know you know what you know
but you should know by now that you're not me
Talk about a month of Sundays
Toffee nosed wet weekend as far as I can see

Hey diddle diddle
The cat and the fiddle
Piggy in the middle
Doo-a-poo-poo

Bible punching heavyweight
evangelistic boxing kangaroo
Orangutang and anaconda
Donald Duck and Mickey Mouse
even Pluto too....

Film Crew Slang

Mickey Rooney- A slow, slight movement of a camera dolly during the shot. Literally "A little creep". This is for real!  Film crews create many slang terms based on humor and common experience. Sorry, Mr. Rooney.

Film Crew Slang

Locked Down Shot - A shot taken with the pan and tilt locks on the tripod tightened so that the camera does not move. Usually done for effects where camera movement would ruin the illusion. A simple effect is a cut that causes a character to magically disappear from a scene, but much more elaborate effects rely on a locked down as well.

Dialogue Greatness

"Life is a banquet, and most poor suckers are starving to death!" Auntie Mame (1958) starring Rosalind Russell as Mame.

Film Crew Slang

Four-Banger- A large trailer with four doors leading to dressing rooms, production office and a crew bathroom.

The 84th Academy Awards

Okay I need to gush a bit about this years Oscars. First of all, Billy Crystal should get whatever amount of money he wants every year, because he is AMAZING. He's the Bob Hope / Johnny Carson of his generation. He's the complete package that you want in a host for this show. Billy was back and should never go away again.

The red carpet....I think a lot of people really knocked it out of the park. There were a lot of fashions and hair styles that harkened back to the golden age of cinematic glamour. And then there were a few that missed the mark. I think my fave of the night might have been...oh who am I kidding, I can't choose. I will say that, even Miss Piggy hit the fashion mark!

So, glad Meryl Streep won best actress. She is one of the finest in her generation, maybe ever??? She is a chameleon and whatever role she plays, she wears like a glove. And she's so humble. Go see, "Iron Lady"!

It was discretion being the better part of valor that the director didn't play off Christopher Plummer when his speech went too long. At 82 he is the oldest recipient of an Oscar. His speech was sincere, heartfelt and funny! “You’re only 2 years older than me, my darling. Where have you been all my life,” Plummer said to his Oscar.

Robert Downey Jr.'s schtick with Cameron Diaz was pretty funny. Sascha Baron Cohen's schtick on the red carpet, not so much!

Woody (remember Woody Allen) won best Original Screenplay but unfortunately was not there to accept it! Come on Woody, your steadfast fans, like myself, want to see you!

Random thought...Why is Marty Scorcese's hair so grey and his eyebrows sooooo BLACK??? Special EFX??? Maybe!

I am truly glad that "The Artist" won best picture. How incredible in this day and age of technology overload (yes I'm talking to you 3-D) that a silent, black and white movie won. It was a breathe of fresh air. FIrst silent, B/W film to win in 83 years. That's quite an accomplishment.

Lastly, while a lot of the winners were predictable thanks to the barrage of awards given out prior to the Oscars, I felt last nights show (even the bizarro Cirque performance) was a love letter to the movie industry that I have loved my whole life. Are the Oscars pretentious? Yes! Are the Oscars over the top? Yes! They are so out of place in this horrible economy and yet billions of us around the world still tuned in, and like watching a good movie, made us forget about our woes for at least a little while!

2012 Academy Award winners

• Best Picture: "The Artist"
• Best Actor: Jean Dujardin · "The Artist"
• Best Actress: Meryl Streep · "The Iron Lady"
• Best Director: Michel Hazanavicius · "The Artist"
• Best Supporting Actor: Christopher Plummer · "Beginners"
• Best Supporting Actress: Octavia Spencer · "The Help"

Film Crew Slang

Speed Rail- Grips fasten long pieces of 2" aluminum tubing together to place cameras on cars and other moving objects, build frames for lighting and to reinforce/secure scaffolding etc. With this simple item  they "MacGuyver" many useful items for a shoot.

Production Meeting Tips

Planning on shooting your own film or project? Here are some tips for Production Meetings courtesy of SPFX Artist Dan Ankoviak.

1. If you have nothing to SHOW, you have nothing to DISCUSS.

Why?  Conversation is vapor.  Images are negotiable currency.  The best verbal description you can give is still mostly hot air.  Always provide pictures.

2. Don’t NOT make storyboards.

Why not just say “make storyboards”?  That’s too easy to take for granted, like the boards themselves.  They are so basic, so elementary; they may seem like an unnecessary use of time.  Don’t fall into this trap!   Always make storyboards.

3. Discussions aren’t decisions.

Simply talking about issues doesn’t constructively address those issues.  In production meetings, assign specific tasks to specific people before moving on to other topics.  This way each person leaves the meeting with goals and a schedule, and hopefully begins the next with real solutions.  If you leave a meeting without new (or revised) goals, you’re already behind on the next task.

4. If it can’t be done well, don’t put it in.

Picture the last step of a process, whether it’s the scenic treatment of a set wall or the final composite of an FX shot.  If it’s not something you have experience with, start practicing right away.  It may sound easy to do, but is usually harder to do well than you think.

5. Seek approval.

If you feel you’ve reached a decision about something, communicate it to the next level up.  Proceeding without approval is sneaky (which isn’t always bad), but could derail the plans of other crews (which is always bad). 

6. Take notes.

Expect a lot from your brain, but take notes during meetings.  Ideas and plans are tossed around like laundry, and notes are your best tool for sorting out and regrouping.  Choosing to remember is choosing to forget.

7. Don’t take “yes” for an answer.

What?  If you ask broad questions, like “Do you have everything you need”, you may get a simple yes in response.  If you ask more pointed questions, you’re likely to discover there are “no’s” just under the surface.  Try something like “Do you have the gels you need for that shoot and what are they?”

8. Have a backup plan.

If you’ve made an educated decision about any procedure, then you have already considered other possibilities.  Keep the next best one in mind, or better yet, on paper.  Locations fall through at the last minute, actors get sick, and miniatures get run over.

9. Network.

Familiarize yourself with the local talent pool.  Your school or community very likely includes other individuals like yourself, who would show their talent if they only had a focus.  Your film projects can provide that and help establish long working relationships.

10. You are PAYING to do this job.

Don’t worry about offending people on your crew, by making sure they do their jobs.  All students have invested in their film projects, and have a right to expect the crew to do their part.  One of your goals is to leave with a portfolio that shows your skill.  If that’s not what you leave the school with, see point number 1. 

Quotes

“Give them pleasure. The same pleasure they have when they wake up from a nightmare.”

Alfred Hitchcock